Sick of myself / Ebba / A Prayer for the dying / Armand
an unromantic comedy by Kristoffer Borgli.
Director & scriptwriter: Kristoffer Borgli
Producer: Dyveke Bjørkly Graver & Andrea Berentsen Ottmar,
Oslo Pictures & Eye Eye Pictures
Co-producerses: Garagefilm (SE) & Film i Väst (SE)
Location: Oslo, Norway
Genre: Drama comedy
Premiere 2022
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Syk pike / Sick of Myself
SYNOPSIS
Signe and Thomas are in an unhealthy, competitive relationship that takes a vicious turn when Thomas suddenly breaks through as a contemporary artist. In response, Signe makes a desperate attempt to regain her status by creating a new persona hell-bent on attracting attention and sympathy.
In production
In production
Director: Johanna Pyykkö
Scriptwriters: Jørgen Færøy Flasnes & Johanna Pyykkö
Producers: Dyveke Bjørkly Graver & Renée Hansen Mlodyszewski
Co-producers: Bathysphere productions, Arte France (FR) & Garagefilm International (SE)
Genre: Mysterious drama-thriller
Location: Oslo, Norway
Sales agent: Pyramide
SYNOPSIS
The lonely 18-year-old Ebba finds a beautiful, wounded man in the Oslo harbor. When she discovers he has amnesia, she lies and tells him they’re lovers. As he recovers, Ebba finds that he might not be as innocent as she first thought.
Pre-Production
Pre-Production
Director and scriptwriter: Dara Van Dusen
Based on the book “A prayer for the dying” by Stewart O’Nan
Producer: Dyveke Bjørkly Graver
Co-producers: Proton Cinema (HU) & Umedia (BE)
Sales agent: New Europe Film Sales & Anton Corp.
Genre: Psychological thriller / horror
1870. Friendship, Wisconsin endures the draught of a dry, hot summer. Crops thirst. Cows twitch and flick. At the center of this small town is Jacob Hansen. Jacob’s a Civil War hero unable to let his accomplishments overshadow the violence and darkness of his soldier past. With a need to atone for the wrongdoings he’s commit-ted, Jacob takes on the responsibility of not only providing for his young family, but also of being the sheriff, undertaker and pastor for Friendship. As a result, he considers Friendship his own – a claim that comes to haunt him when an epidemic hits.
On his daily morning ride into town, Jacob comes across a woman thrashing around in the curled crops of a dying corn field. She’s hysterical, coughing up foam and blood. Jacob hastily brings her to the town doctor, Doc Gutterson, who is immediately alarmed. He mentions the possibility of diphtheria.
Diphtheria’s violent. It’s ugly. It causes the skin to pale and turn blue. There’s a bloody, hacking cough. People become hysterical. Delusional. Concerned, Jacob tells his wife, Marta. She wants to take their newborn daughter and leave, but Jacob can’t. He has responsibilities.
Marta decides to stay. The following day, Doc and Jacob’s fears are confirmed as the sick woman dies. Aiming to prevent hysteria and the subsequent spread of the disease, Doc and Jacob decide to keep the outbreak a secret. Maybe it was an isolated incident. Maybe they’re lucky.
As time goes by, more and more signs of the disease are seen. The diphtheria is relentless. It spreads in the dust and heat. It kills. As the inhabitants gradually begin to understand the direness of the situation, Jacob struggles to keep the town under control. And it’s just a matter of time before the disease spreads to his own home, to Martha and the baby. Every decision becomes a choice between lesser evils and Jacob is soon again haunted by his war-ridden past. It becomes unclear how much longer Jacob can continue his role as the town’s unrelenting protector, while still being able to forgive himself in the end.
A Prayer for the Dying is a devastating account of the choices we are faced with when chaos strikes and the notions of everything we hold dear, such as faith, family and community, are shaken to their core.
SYNOPSIS
Armand
Written and directed by Halfdan Ullman Tøndel
Director & scriptwriter: Halfdan Ullmann Tøndel
Producer: Andrea Berentsen Ottmar
Location: Oslo, Norway
Genre: Drama
Sales agent: Charades
World premiere 2024
SYNOPSIS
At a parent-teacher meeting, Elisabeth, a famous actress and celebrity, is confronted with the accusation that her 6-year-old son has assaulted his best friend. While school leadership tries to find a solution that exempts the school from responsibility, we follow the boys’ mothers in an increasingly desperate battle to be believed. Outside, the murky December darkness falls. In the cramped classroom and the dim school corridors, more and more shadows from the past emerge. It’s impossible to know who is telling the truth. Armand portrays people at their breaking point.
It is a film about lies and concessions, about the stories we tell about ourselves and others, about exclusion and vulnerability – and about trying to retain control when everything in our lives comes tumbling down.